1922: Literature, tradition, Politics examines key elements of tradition and heritage in 1922, a yr made well-known via the book of numerous modernist masterpieces, reminiscent of T. S. Eliot's The Waste Land and James Joyce's Ulysses. person chapters written by means of prime students provide new contexts for the year's major artistic endeavors, philosophy, politics, and literature. 1922 additionally analyzes either the political and highbrow forces that formed the cultural interactions of that privileged second. even if this quantity takes post-World warfare I Europe as its leader concentration, American artists and authors additionally obtain considerate attention. In its multiplicity of perspectives, 1922 demanding situations misconceptions concerning the 'Lost Generation' of cultural pilgrims who flocked to Paris and Berlin within the Twenties, therefore stressing the broader impression of that momentous yr.
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Extra info for 1922: Literature, Culture, Politics
Eliot’s close friend and collaborator, Ezra Pound – who is the single most published writer in the Criterion – also publicly complained in the fall of 1930 that Eliot was offering his readers a “diet of dead crow” (2009, 114). To our ears today, which are accustomed to ostensibly neutral journalistic positions, Eliot’s leanings do seem occasionally tendentious after the late 1920s, and much as Eliot tried to remain open to multiple perspectives he gradually came to believe that he had failed in his effort to bridge European literatures.
The New Idealism. London: Macmillan, 1922. Wittgenstein, Ludwig. Tractatus Logico-Philosophicus. Translated by C. K. Ogden. 1922. Reprint, New York: Routledge, 1988. S. Eliot’s the Criterion, and The Waste Land and James Joyce’s Ulysses Gabrielle McIntire Stationed in the intimacy of their minds, and sometimes in the minds of the other characters, we see through their eyes and hear through their ears what happens and what is said around them. In this way, in this book, all the elements are constantly melting into each other, and the illusion of life, of the thing in the act, is complete: the whole is movement.
H. Lawrence, Gertrude Stein, H. , Conrad Aiken, I. A. Richards, Marianne Moore, Robert Graves, William Empson, Hart Crane, Roger Fry, Hugh Walpole, Edith Sitwell, Osbert Sitwell, Aldous Huxley, Clive Bell, Arnold Bennett, Bonamy Dobrée, John Middleton Murry, Richard Aldington, F. S. Flint, Henry Miller, Ford Madox Ford, Louis Zukofsky, W. H. Auden, Walter de la Mare, Stephen Spender, Dylan Thomas, and Wyndham Lewis, to name only a few. Among international contributors we find Marcel Proust, Jean Cocteau, F.
1922: Literature, Culture, Politics