Download e-book for iPad: African, Native, and Jewish American Literature and the by A. Kent

By A. Kent

ISBN-10: 0230605109

ISBN-13: 9780230605107

ISBN-10: 1349538000

ISBN-13: 9781349538003

ISBN-10: 1403977976

ISBN-13: 9781403977977

This ebook examines literature by means of African, local, and Jewish American novelists in the beginning of the 20th century, a interval of radical dislocation from homelands for those 3 ethnic teams in addition to the interval while such voices tested themselves as significant figures within the American literary canon.

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Extra resources for African, Native, and Jewish American Literature and the Reshaping of Modernism

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As is the case of Hurston’s novel, Mourning Dove’s Cogewea, one of the first novels published by a Native American woman, incorporates oral stories in the written form, enabling her to resist anthropological efforts to fix Native American cultures as static and traditional. Like Chesnutt, who portrays American culture as INTRODUCTION 21 already changed by African Americans, Mourning Dove depicts Salishan culture as a fluid and changing blend of old and new forms; unlike Chesnutt’s portrayal, Mourning Dove’s portrait remains Native, even as it adapts to modernity and contact with other cultures.

Chesnutt gets at the marrow of tradition of a racialized structure based at its core on socially constructed categories of difference in order to undermine this powerful social system. Before publishing Marrow, Chesnutt commented on the widespread belief in racial difference, invoking “All Coons Look Alike to Me” directly. Chesnutt told an interviewer in 1899: The words of the negro song, “All Coons Look Alike to Me” express the sentiment of the whole people of that section [the South]. The educated man or woman, no matter what his character and ability may be, who has one-sixteenth, or one-thirty-second, or one-sixty-fourth part of African blood is counted a negro and is debarred from the privileges of a white man or woman.

As soon as the Civil War ended, states in the South worked quickly to pass the Black Codes (based on the antebellum Slave Codes), which limited African Americans’ freedom to speak, travel, and choose where to live—in short, to be citizens of the United States. While the federal government attempted to integrate African Americans into the larger American culture through education and the economic efforts of the Freedman’s Bureau, the Black Codes forced many African Americans to limit their movement and required them to work, perpetuating slavery even after it had been abolished.

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African, Native, and Jewish American Literature and the Reshaping of Modernism by A. Kent


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