By Nancy Princenthal
The 1st biography of visionary artist Agnes Martin, probably the most unique and influential painters of the postwar interval. Over the process a occupation that spanned fifty years, Agnes Martin's austere, serene paintings expected and helped to outline Minimalism, whilst she battled mental crises and carved out a solitary life within the American Southwest. Martin pointed out with the summary Expressionists yet her dedication to linear geometry prompted her to be linked in flip with Minimalist, feminist, or even outsider artists. She moved via the various liveliest paintings groups of her time whereas keeping a mythical reserve. "I paint with my again to the world," she says either firstly and on the end of a documentary filmed while she was once in her past due eighties. while she died at ninety-two, in Taos, New Mexico, it truly is stated she had no longer learn a newspaper in part a century.
No huge severe monograph exists in this acclaimed artist—the recipient of 2 occupation retrospectives in addition to the nationwide Medal of the Arts—who used to be championed through critics as diversified of their ways as Lucy Lippard, Lawrence Alloway, and Rosalind Krauss. in addition, no test has been made to explain her striking lifestyles. the entire engrossing tale, instructed the following for the 1st time, Agnes Martin is vital interpreting for someone drawn to summary paintings or the background of girls artists in the US.
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Additional info for Agnes Martin: Her Life And Art
That the university bookstore should not merely supply an existing demand but create a need for books – inspire a thirst for learning, is to some people an entirely new idea … Curiously enough the faculties of schools and colleges are by no means whole souled abettors of these new ideas … [T]here still lingers a conservatism that hesitates to recommend book ownership to students with the necessary definiteness of price and edition. , Incorporated’ (Business Notes), The Publishers’ Weekly, 6 May 1916, 1456.
The combined effect of a number of similar operations by the 1920s, such as the Vassar and Mount Holyoke bookstores, further multiplied the Bookshop’s influence on reading choices and helped introduce a much wider audience to literature on a regular basis. As an adjunct to Smith, the women’s college, the Hampshire Bookshop both reflected and contributed to a particular brand of feminine ethos, another aspect of its founders’ personal inclinations. Dodd and Smith were uniquely positioned to appreciate the merits of a single-sex education for women – self-sufficiency, Dodd, ‘Hampshire Bookshop’, 870.
I picture a student clerk, glad to earn her modest wages working part-time among books, moistening that label on the wheel of a white ceramic reservoir. She carefully opens the book so as not to break the spine or dent a corner and affixes the tiny rectangle precisely in its unobtrusive location. When she has processed the stack – among that week’s arrival of ten or twenty new titles – she cradles the copies in the crook of her arm, delivers them to the poetry section, and slides them into their alphabetical slot.
Agnes Martin: Her Life And Art by Nancy Princenthal